Composition

 Halo 3: Cross Composition.

For this piece it is evident that it is using the 'Cross' composition. I notice this for a number of different elements represented in the pieces. Firstly the way the figure is positioned within the center of the piece, acts a as a vertical degree. Whereas, the larger figure's left arm, acts as the horizontal point of the cross, not exactly but close enough. Also the way in which the lighting is presented also shows that division on the horizontal line: The top section is much lighter than the bottom half. For this specific composition, the piece is very dynamic and appealing.

Jamie Hewlett: Iconic Composition.

This piece is also very simple to read for the composition. Usually with any figure represented in this way, will fall under the 'Iconic' composition, where points of the character fall in line with the diamond shaped guidelines, making the piece more visually appealing. Drawing over the piece shows how the Iconic composition works. The center point is actually at the stomach of the character and this line follows up to the top of the head to the bottom of the toes, almost exactly! Although there isn't really any horizontal matches, it is evident vertically, that the iconic composition works.

Hokusai: The 'L'.

This piece can actually work either way within it's 'L' composition. It has two focus elements that can be dominated by the 'L' method. For example, the top image I have select is framing the 'Great Wave' as the primary focus of the piece, but then again with that being such a huge part of the scene...You cannot help but be drawn to Mount Fuji in the background. I personally believe, the second image above represents the correct method of 'L' composition, because although the great wave is the primary focus, it's the simplicity and space around Fuji that draws you to it. Also the way in which the waves practically frame the mountain, it is almost acting as a view point! Making this the ideal composition for this piece. Drawing the eye towards the focal point.